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I close my eyes before I kill him.

Just in the final seconds as my swordpoint hits fast and straight through the hole in the chain mail under his arm. In order not to see the expression on his face, his eyes bulge, the gasp of breath when he realizes it was a killing stroke. There’ll be pink bubbles on his lips as his knees hit the muddy ground, and his own weight jerks his body off my sword as long as I square my feet.

It’s the worst way to do it, to not watch. Anything could happen, but I can’t do it any other way.

As he falls I look again, in time to turn heavily and block another attack with my shield. But Deck knocks the new enemy over by grabbing his collar and flinging him back. My brother stands over the fallen soldier and guts him before grinning at me through a blood-flecked beard. He’s just managed to grow it.

I lower my sword because the enemy band is withdrawing back into their forest. It was only a score of them, down to a quarter of that now, and their long shadows stretch back toward us through the trees, promising more tomorrow. And the next day and the next, through the gods know how many more weeks. Here on the southern front, there’s almost no winter to speak of, and so no pause in the king’s war.

Deck bares his teeth at their backs. “Run!” he screams after them. “Run from us!” And he claps me on the shoulder, making me stagger. I sink the tip of my sword into layers of fallen leaves for balance, thinking of how Captain would cuss at me for it. Your sword is your life, boy, don’t treat it like a stick – what if there’s an enemy behind you and you can’t bring the sword up fast enough? You want to do nothing but fling mud in some banger’s face as you die? I breathe through my teeth, as if I can stop the thick smells from sticking to my tongue: blood and rot and that sharp smell of the evergreens around here.

“Let’s go, Half,” Deck says, not waiting before he begins tromping back toward camp. I kneel down, ignoring the ache in my right thigh from an old scar, and set down my shield beside Deck’s gutted enemy. He’s clutching at his stomach, where blood leaks through the wide round metal joints of his armor, and I smell his death easily enough. But it won’t be easy for him, and I pull my dagger from the sheath on my gauntlet. He’s hissing and his big eyes stare up at the purple sky as I tug off the helmet skewed on his head and set my blade against his throat.

He’s doomed, and this will be better than him gasping and bleeding here until the wolf-priests come to collect our dead and burn the enemy overnight. This is the right thing to do. The good thing.

But I close my eyes again, while the knife pushes gently into his dirt-crusted neck. It’s got to be done. It’s just another practice thrust, Half. Do it.

And I do. I should’ve taken my gauntlet off first, but it’s already got blood soaked into the cracks and this spray won’t make it too much worse.

***

As I drink thick broth at the fire that night, my sword hand begins to tremble.

I set down my mug and clench a fist, tucking the offending hand against my side. I’ve only been back at the front for eight days. I should be good for at least twelve more before fatigue sets in, before I’m anxious again and jumping at the cracks from the fire.
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Contest Winner!

Hey, all! Sorry this is a couple of days late – it’s been hectic around here!

The winner of titles contest is……..

…..

…….. MAIA! Of Pen and Ink: The Persimmon Journals!

Maia, email me at tessa.gratton@gmail dot com with your address and we’ll get your AMAZING PRIZES SENT OUT. “What I Call Memphis” was our favorite title, and the rest were quite good, too!

A couple of honorable mention: I loved “As I Die, Nothing More” by Azra as a title for my “Girl, Waiting,” and Amber from A J Breadcrumbs made Brenna and I laugh with “#honestlygeorgia”

Thanks for playing! We had so much fun going through your titles!

HALLOWEEN CONTEST!!!

HAPPY HALLOWEEN!

This week is the kick-off for our last 2011 contest! And it’s a doozy!

All you have to do, dear readers, is pick your favorite Merry Fates short story of ours and tell us what YOU WOULD have titled it!

Titling is tough stuff – sometimes it takes almost as long to title as story as it does to write it! Sometimes we get desperate and settle. Sometimes the story BEGINS as a title! So do your best, and enter as many times as you want, with as many stories/titles.

We’ll pick our favorite title on Friday, and doll out the prize!

Prize is signed copies of our books:

BLOOD MAGIC
THE SPACE BETWEEN
A SHIVER TRILOGY PACK
THE SCORPIO RACES

“The Sometimes Mermaid” by Lauren DeStefano

Atticus lived a hundred years, married twice, and loved only one girl. She became more a legend than a girl as the years went on. Her straw-blonde hair took on, in transit from one telling to the next, the pale white of a spirit. Her denim cutoffs and wicked grin became a billowing Victorian petticoat, her soggy daisy crown a shimmering tiara.

Death has a way of glamorizing all things, especially love.

But Atticus never wavered. He remembered his girl exactly as she had been the day she drowned. He remembered the small wet hills of her breasts when she was hoisted from the water, and the seaweed plastered to her arm like a patch sewn over a tear. He remembered the sound of his pocket watch ticking like her heart was in his hand, the last gift she would ever give him.

His youngest grandchild, and the most intuitive, Mary, would sit by his favorite chair in the evenings and struggle with her knitting. “Tell me about the girl you loved,” she would say. She was a romantic creature; it showed in her large, dark eyes. She had a whimsical and restless heart. One day she would be tall. She would be a Queen of Spades, the boys folding before her like unworthy Kings.
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Jack’s Field of Bargains

There was a farm off highway 32, just north of the road, that the Linwood High School cross-country team drove past every Tuesday and Thursday during the fall semester on their way to the six-mile course near Lake Archer.

The farm was just a two-story cabin with peeling white paint and a collapsing barn out back. The silo’d been stripped of its tiles and looked like nothing more than a fat concrete smoke stack, and a massive old cottonwood shaded a pond covered in lily-pads. Between the silo and the tree was a fallow field a half-acre square, full of junk. It was organized in haphazard rows, and varied from tin can sculpture and tire flower beds, to trunks of porcelain baby dolls and old rotary telephones.
A hand-painted plywood sign declared JACK’S FIELD OF BARGAINS.

Tom Vanderpoel sat in the backseat of his teammate Evan’s rusty Chevy, forehead pressed to the cool window, as they sped at least ten over the highway limit. He’d only been running cross country for a couple of weeks, having moved to Linwood with his mom after she and his dad divorced over the summer. Up front was Evan’s girlfriend and star of the women’s team, Mary Jo. Her feet were up on the dash as she hummed along with some emo singer-songwriter and Evan performed a monologue on the injustice of Mr. Summers, the U.S. history teacher’s, epically long final exams. Tom didn’t mind, since it kept him from having to talk back, and he was struggling with himself for thinking Evan in no way deserved Mary Jo.

When he saw the sign, he interrupted. “What kind of bargains?”

Mary Jo set her feet down into the well and twisted around. “Oh, Jack’s. My mom says her dad used to be friends with Jack Dalling, and he used to say you could find your destiny in his field.”

“Seriously?”

Evan snorted. “It’s junk.”

She narrowed her eyes dangerously at her boyfriend, and Tom said, “Pull over.”

There was a dirt turn off about fifty yards down, and Evan swerved as his wheels fell off the pavement. He cursed, but continued on. The car filled with the crunch of gravel as the wheels kicked up a solid cloud of dust as they backtracked. He pulled to the side, the square nose of his Chevy pushing at tall yellow grass. Tom and Mary Jo shoved their doors open immediately, spilling into the same grass. It scratched at Tom’s track pants and he considered the likelihood of ticks.

Mary Jo was in shorts, and squealed as she dashed to the tractor path where all the grass was flattened out. “Asshole!” she called back at Evan, who snickered as he stepped onto the safe gravel and came around the car to join them.

Crickets chirped and tiny winged bugs scattered around their heads, buffeted by the dry breeze. Overhead the sky was pristine blue, unbroken by clouds. As sorry as Tom usually was to have come here instead of going with his dad to Wisconsin, he had to admit at least to himself that this much sky was awesome, in that old sense of the word his Junior High English teacher had tried to get her kids to understand.

The three of them stopped at the junk field, near where a man sat in a beach chair. His face was tanned and cracked with wrinkles like a dried up riverbed, and an old John Deere baseball cap shaded his sharp blue eyes. “Hey there, you kids. You come to trade?”

“Trade?” Tom said.
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“Sell Out” by Jackson Pearce

I wish I had a better talent.

Painting. Playing the violin. Woodcutting, even. Anything.

Maybe I wouldn’t feel this way if it manifested differently. Through a handshake or something. A tap on the shoulder. Hell, a slap on the ass, even. At least that way it’d be over fast, and it wouldn’t involve me kissing a corpse.

But I make a lot of money per kiss, and it’s stupid money, easy money. It’s this or join the family business, and taxidermy isn’t for me. The only thing creepier than kissing a dead human is peeling the skin off a dead animal and pretending like that’s a normal way of acquiring a new centerpiece for your living room.

“New assignments,” my boss says, slapping a pack of paper down in the middle of the room. It’s thinner than last week—with the prices the company charges for a kiss, I’m actually surprised it’s not thinner still. We only get a fraction of the money, but it’s hard to get hired as a self-proprietor in this field. It’s like people think that if they go through a company, it’s all on the up-and-up. If they go through an individual, it’s dark magic.

I think companies like mine spread those rumors. Keep prices up, so we’re only kissing the rich.

My boss clears his throat. “We’re short on women this round. Sorry . . .”

A guy to my right cusses under his breath. “I’m so sick of kissing old white guys.” A few of my coworkers mutter agreements till our boss glares, shuts us up. He passes out the papers. Name, address, a time. Nothing more. We don’t really need to know anything else.

Elise Snow. 706 14th Street. Tuesday at 7:00pm.

I fold the paper crookedly and shove it in my pocket.

***

I know Elise Snow.

Or, I knew her. A long time ago—I haven’t seen her in almost a decade, since fifth grade, I think. The little rich girl in school, Shelton county’s very own princess—and she had the pageant crowns to prove it.

I hated her.

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Death’s Red Bowler

When Bernadette was very small, she thought she was the only one who could see the Driver.

She’d been six years old when her neighbors had moved their old granny into their house along with a hospice nurse. For a week, Bern came home from school and helped her mama bake a pie or cookies or a casserole that they’d walk over to the Oswalds’ together. Everyone whispered, and the hallway smelled cold. Not like the bright orange feeling Bern used to get when she visited to play with the Oswalds’ old poodle.

The last morning, Bern was slowly tying her shoelaces on the small concrete step just outside her front door while her mama ran around the house after the right purse and her favorite earrings and – oh yes – grabbing a lunch from the freezer. As Bern finished her laces, a dark shape turned up her street: black as fresh asphalt, the carriage was square and windowless, with large silver wheels. The team of four horses pulling it were black, too, except where the sunlight caught them just right and they shimmered purple and blue and pretty, perfect yellow, in slick rainbows like spilled oil.

Bern stood up, clapping her hands together. But her little pink shoes stuck to the concrete as she noticed the man on the high bench, his gloved hands holding the reins loose as he drove. The sun shone hot, but this man wore a coat with tattered hems and a wide-brimmed hat, all of it black. He drew the horses up, and his carriage stopped in front of the Oswalds’ house.

And nothing.

The horses shook their flanks, sighing and settling. The man on the bench leaned back and tipped his hat down so the rim shadowed his face. Bern waved, and one of the horses turned its long nose to her, stretching out its neck. One of her feet lifted free, and just as Bern began to run, her mama snatched her up, saying, “Come on baby, time for school!” and tucked her up into their car. Mama kept her face averted from the carriage, never glancing that way or pausing even as she backed out of the driveway. But Bern pressed her little hand to the window and stared until they turned right at the stop-sign and the carriage vanished behind the houses.

***

What impressed her most about the carriage wasn’t that nobody seemed to want to talk about it, or that she saw it herself almost once a month, or how easily it slipped through traffic, never quite impossibly, but often only avoiding collisions in a way that had Bern wincing and on edge.

It was that the driver always wore a different hat.
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Looking Back

Since it’s a fifth week, but we already did a contest this month, we’ve got something different for you today! We decided, in honor of shifting Merry Fates over to wordpress, to look back at the very first stories we posted… way back in May of 2008. In the three years since then we’ve each posted something near 100 short stories (!!!) and have learned SO MUCH. Not just about communicating with the internet and entertaining you, o readers, but about ourselves as writers.

Below, find links to our first stories, and a brief paragraph from each of us about what we think we’ve learned! Next week the schedule resumes as normal, with fiction every Monday!

Brenna’s first: Alternative Hypothesis

The first story I wrote for Merry Fates wasn’t actually a story—I just didn’t know that at the time. I was very conscious of rhythm and enjoyed the business of carefully placing one word after another, but I really had no way of distinguishing between stories and vignettes. Things my first story lacks that most stories have: Characters. Setting. Plot. Things it has in massive quantities: Voice. The thing I’ve learned since starting in 2008: Voice is a nice tool to have, but only once you can brush it on like lacquer over all those other pieces.

Tessa’s first: Beast

My most pointed reaction to rereading this first story is amusement that it’s proof I’ve used Merry Fates as a place to experiment from the very beginning. I think I’ve learned how to turn my experiments into an actual story, with beginning, middle, end, character arcs, and world, but I can still see what I was trying to do back then: play with form, and tell a story by answering a single question over and over again. It’s still so very me when it comes to language, though, and fairy tale tropes. The more things change…

Maggie’s first: Holes

I remember very clearly that this first story took me an entire week to consider. An entire week of thinking of one slight story. Back then, I still think building instant characters was my strong point, but that was literally all I knew how to do. I picked a fairy tale retelling because I couldn’t imagine how to create both new people and a new world in just one week’s time. What have a learned since May of 2008? How to build worlds in the time it takes to make a pot of rice.

What do YOU think about our first stories? Think we all still sound like ourselves? I hope you’ll agree that we’ve just gotten better. It was part of the original goal of Merry Fates, after all – to improve!

photo credit: Natalie C Parker, 2010 The Merry Fates at St. Vincent de Paul Cemetery, New Orleans

“Sight” by Elizabeth Scott

Here’s what I need to save a life: coffee.

Regular, hot coffee works fine, but I like mine to be full of syrup and whipped cream and to smell like candy. Edgar would say (under his breath) that it’s because I’m a pain in the ass. But what’s easier to get noticed–someone with an ordinary coffee stain, or someone smelling like peppermint and stained with an impossible to remove blob that only sugary syrup, whipped cream, and coffee can bring?

Besides, my job is hard enough that I figure if I can make someone else’s easier, maybe then one day the universe will pay me back somehow. Maybe it will give Gloria the ability to walk again, or maybe it will make Edgar stop being an ass.

Maybe one day I’ll be able to do things normal people can. Like have dreams that are just that, dreams. Or go outside just because I want to. That would be nice.

I can’t be thinking about any of this now because now I hold my Peppermint Surprise! latte–the name would make me smile, if I smiled when I was at work–and make my way through Union Station.

It’s thirty-seven steps to the door David Lewis will come through, the one by the gate his train from Maryland uses–he takes the MARC line to and from Germantown. His security team is lax because he’s not just loud, but abrasive, and he won’t live in the city, which means all four of his bodyguards have to commute in and out with him, plus live in Germantown too, and if you’ve ever been to Germantown–well, let’s put it this way. It makes DC look positively glittery.

And DC is not even remotely glittery. It has power, and lots of it, but it is not a shiny city. Most of it–past the gloss of the Mall area and Georgetown–isn’t even pretty.
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Girl, Waiting

There he stands three steps higher than I, dark eyes locked onto my face and the scythe-like curve of his smile the way it has always been. I bow my head and step nearer, my slippers thin enough I feel the smoothness of the stone under the balls of my feet. I go deliberately, softly, hoping to pass him by.

He catches my right hand. I lean against the curving tower wall as he puts his face to my sleeve. I am nearly undone by the feel of his hot breath in the crook of my elbow, and then he pushes back my sleeves and touches his lips to my wrist.

His words slither up my skin, “I will kill you, if I must.

It is a sharp thrust of steel straightening my back. Gripping my knife – only a small lady’s knife, for cutting her dinner, for showing off her father’s favor – I twist and stab it at his face.

My hope is surprise will win me the day, but I might’ve known better. He grabs my left hand, crushing my fingers under his and against the hilt of my knife. Slamming me back, he laughs.

He laughs.

I am pressed between the hard stone wall and his body. The metal of his armor coif shimmers dully in the daylight melting through one thin window over my head. It is like dragon scales, growing out of his forehead and spilling all down his body, changing him. With my hand still trapped in his, he puts the tip of my knife to his cheek and together we cut. I shove all my weight into him, into my arm, but he is too strong, and only a trickle of blood leaks from his skin.

He smiles at me again, and my knees are week. I will not bend, I tell myself. I will not bend. But through his smile he suddenly cries out, as if in fear and pain! “Aoife! No!” And before I can react, swings me down the stairs.

When he lets me fall, all the world falls with me.
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